February 2012
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January 2012
23 posts
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I'm making this a thing.
captainhufflepuff:
I made a couple, here have a blank.
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so when John's therapist said "There's stuff that...
andmaytheoodsbeeverinyourfavor:
and she asked him to say it now but Jonh said he couldn’t
i thought the thing he couldn’t say was that he loved Sherlock
YES! Me too!
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December 2011
5 posts
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November 2011
14 posts
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???
naruy:
No one ship Nolan / Jack?
God they are soo pretty since this series beginning.
I do!
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Guys, aren't there really NO photos at all?
I mean Jewnicorns of course.
Please?
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INTERVIEWER: What's it like sharing the stage with Jesse Eisenberg, your co-star in the movie Holy Rollers?
JUSTIN BARTHA: This play actually predated that movie. Jesse and I have been friends for almost 10 years. We first did a reading of this about five years ago at my friend’s apartment, and over the years we’ve worked on it together. I think he had my voice in mind when writing Vinny. We did a couple more readings, one for Rattlestick, which is one of our favorite theaters, and kept going from there.
INTERVIEWER: You and Jesse play roommates. Did your real-life friendship strengthen the relationship of your characters?
JUSTIN BARTHA: It was absolutely a huge benefit knowing each other very well. Over the years we would go over the play and think of how far we could push each character.
INTERVIEWER: The show has a very specific fast-paced, almost neurotic, rhythm to its dialogue, similar to a lot of Jesse’s film characters. Is it hard to get that style down?
JUSTIN BARTHA: You just have to get into the right energy. I don’t think it’s that hard because the writing is so strong. It’s rare for a young playwright, someone who’s mounting his first play, to have such strong dialogue, and the relationships are so fully fleshed out that once you get on stage it's pretty easy.
INTERVIEWER: Before Asuncion, you starred in Zach Braff’s All New People. What do you enjoy about working with playwrights who also have acting backgrounds?
JUSTIN BARTHA: I think there’s a sensitivity to actors and performance that’s inherit to theater in the first place. What’s amazing about Jesse’s play is not only is the writing so strong, but every line of dialogue is fantastically woven and character-based. Even with all the great lines in the show, the biggest laughs are usually from a character’s reaction to the lines. It’s very much based in character and the relationship between the actors and not just the dialogue.
October 2011
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